Sperone Westwater, New York
March 25 – May 28, 2021
March 25 – May 28, 2021
This show marks the late artist’s second show with the gallery, following John Giorno: DO THE UNDONE in the Fall of 2019. Giorno’s black-and-white paintings, dating from 2011-2018 and measuring 48x48 inches, are installed as a grid in the main gallery. Executed in the trademark font Mark Michaelson developed for the artist in 1984, these twelve screen-printed works incorporate phrases from Giorno’s distinctive poetry, such as IT DOESN’T GET BETTER, THANX 4 NOTHING and GOD IS MAN MADE.
In the East gallery, a collaborative audio-visual new media installation created by John Giorno with his husband, the artist Ugo Rondinone, beckons afar, seen but not heard in the distance from the gallery’s Bowery entrance. Inside the intimate skylight room, a multimedia work entitled John Giorno performing I Don’t Need it, I Don’t Want It, and You Cheated Me Out of It, 1981 & Eating the Sky, 1978 reveals itself in the round on double sided flat screen monitors. The work unifies the visual with a corresponding audio track of the artist’s performative reading, coinciding and timed with the visual changes in words on the screen. Transforming from positive to negative and back again in the two-sided frame, the installation becomes visual, sensual and auditory in one complete experience.
In the East gallery, a collaborative audio-visual new media installation created by John Giorno with his husband, the artist Ugo Rondinone, beckons afar, seen but not heard in the distance from the gallery’s Bowery entrance. Inside the intimate skylight room, a multimedia work entitled John Giorno performing I Don’t Need it, I Don’t Want It, and You Cheated Me Out of It, 1981 & Eating the Sky, 1978 reveals itself in the round on double sided flat screen monitors. The work unifies the visual with a corresponding audio track of the artist’s performative reading, coinciding and timed with the visual changes in words on the screen. Transforming from positive to negative and back again in the two-sided frame, the installation becomes visual, sensual and auditory in one complete experience.
Eating the Sky, 1978, is a landmark work that references American politics in a period in which the so-called “culture wars” were just beginning. It was also created in the year in which Giorno convened a gathering of the downtown New York art world to celebrate in readings, performances, and song, including contributions from William S. Burroughs. Dubbed “The Nova Convention,” this multi-day festival featured performances by Burroughs, Brian Gysin, Allen Ginsberg, Patti Smith, Laurie Anderson and many other luminaries of the avant-garde.
The second floor of the gallery showcases Giorno’s rare individual works which were not a part of a specific series, but function on their own. These 48x48 inch canvases incorporate a hybrid of visual strategies both in the black and white and with colored lettering. Each features a classic phrase from one of his key poems, such as SIT IN MY HEART AND SMILE and YOU GOT TO BURN TO SHINE.
Click here for more information.
The second floor of the gallery showcases Giorno’s rare individual works which were not a part of a specific series, but function on their own. These 48x48 inch canvases incorporate a hybrid of visual strategies both in the black and white and with colored lettering. Each features a classic phrase from one of his key poems, such as SIT IN MY HEART AND SMILE and YOU GOT TO BURN TO SHINE.
Click here for more information.
