Eva Presenhuber, Zurich
September 13 - October 19, 2024
September 13 - October 19, 2024
In lieu of a press release, the curator of this show, Krist Gruijthuijsen, wrote a letter to John Giorno.
Berlin, May 22, 2024
Dear John,
Blame it on Anthony! He wanted me to curate a show of your work. And what did I come up with? Right, a show about the big E-G-O. I titled it God Complex, paradoxically given your life-long devotion to Buddhism. However, the show does embody the spirit of Buddhism by presenting the joys & doubts of life and our micro-macro relationship to materiality and immateriality, whatever that means. But before I dive into the supposed meaning of this show, I have some confessions to make.
Unfortunately, we never met in person, John, but every morning I wake up and see your work, I want to cum in your heart. It was 2018 and I fell desperately in love with a man. For a brief moment, that love was reciprocated, only to be reconsidered seconds later. Have you ever heard of ghosting? Basically, itās an easy way out to avoid any form of confrontation. Slide to the left and move on, so to speak. I was devastated, heartbroken, and wept for weeks. Why in Godās (yes, Godās) name did this hit me so hard? The week after I was invited to participate in a panel on ācancel cultureā (pun intended, I guess), I dragged myself out of bed and attended. During the rather uninspiring event (just cancel panel discussions as a format. Period), I kept staring at your piece hanging on one of the gallery walls. It was the perfect embodiment of my feelings at the time, and maybe even of me as an emotionally and sexually driven person. I went to the gallerist and bought it. Did I mention that I used to be an artist? When I read hurricane in a drop of cum, I thought of one of the pieces I presented in my graduation show at the sculpture department of the Maastricht Art Academy, which was simply a dirty towel titled Millions of Lives Lost. When I told the committee that the towel contained me and my loverās semen from the past year, their faces cringed. See how self-absorbed I am?
Berlin, May 22, 2024
Dear John,
Blame it on Anthony! He wanted me to curate a show of your work. And what did I come up with? Right, a show about the big E-G-O. I titled it God Complex, paradoxically given your life-long devotion to Buddhism. However, the show does embody the spirit of Buddhism by presenting the joys & doubts of life and our micro-macro relationship to materiality and immateriality, whatever that means. But before I dive into the supposed meaning of this show, I have some confessions to make.
Unfortunately, we never met in person, John, but every morning I wake up and see your work, I want to cum in your heart. It was 2018 and I fell desperately in love with a man. For a brief moment, that love was reciprocated, only to be reconsidered seconds later. Have you ever heard of ghosting? Basically, itās an easy way out to avoid any form of confrontation. Slide to the left and move on, so to speak. I was devastated, heartbroken, and wept for weeks. Why in Godās (yes, Godās) name did this hit me so hard? The week after I was invited to participate in a panel on ācancel cultureā (pun intended, I guess), I dragged myself out of bed and attended. During the rather uninspiring event (just cancel panel discussions as a format. Period), I kept staring at your piece hanging on one of the gallery walls. It was the perfect embodiment of my feelings at the time, and maybe even of me as an emotionally and sexually driven person. I went to the gallerist and bought it. Did I mention that I used to be an artist? When I read hurricane in a drop of cum, I thought of one of the pieces I presented in my graduation show at the sculpture department of the Maastricht Art Academy, which was simply a dirty towel titled Millions of Lives Lost. When I told the committee that the towel contained me and my loverās semen from the past year, their faces cringed. See how self-absorbed I am?
I went to the infamous 222 Bowery. Anthony showed me around and we even happened to see the space that used to be Rothkoās studio. The place reeks of history! We visited your apartment, which felt very peaceful and very you, at least the you I imagined. We went to the Bunker and visited Burroughsā bedroom, which, not surprisingly, was a dark experience. I had no idea the man was so obsessed with guns! I laughed when I read your memoir describing the sexual encounter you had with Burroughs. God knows (yes, God is man-made, according to you) you fucked around, John! But William Burroughs? That is where I would draw the line. Physically, I have always mixed-up Burroughs with Marcel Duchamp. I have no idea why. But if I had to choose, I would definitely sleep with Duchamp, even though their minds feel alike.
Anyway, I am babbling. Letās get back to the show. I chose works that literally deal with scale, in every sense of the word. Things that are both tangible and abstract. It is concrete poetry in the most sculptural sense, but it begs the mind to wonder. Iāve included Dial-A-Poem in two versions ā the original one you made, and the one Ugo made with Austrian poems when he did his show at the Secession in 2015. Thereās a very early print from 1968 called Black Cock that Iām excited to share with the audience. Typically, the show ends with one of your last pieces, Big Ego, which is presented in the dark basement space with a selection of your sound poems. I hope the show captures your spirit well. It has certainly become a very personal endeavor for me, hence the decision to write you a letter.
With love and much respect,
Krist
Click here for more information.
Anyway, I am babbling. Letās get back to the show. I chose works that literally deal with scale, in every sense of the word. Things that are both tangible and abstract. It is concrete poetry in the most sculptural sense, but it begs the mind to wonder. Iāve included Dial-A-Poem in two versions ā the original one you made, and the one Ugo made with Austrian poems when he did his show at the Secession in 2015. Thereās a very early print from 1968 called Black Cock that Iām excited to share with the audience. Typically, the show ends with one of your last pieces, Big Ego, which is presented in the dark basement space with a selection of your sound poems. I hope the show captures your spirit well. It has certainly become a very personal endeavor for me, hence the decision to write you a letter.
With love and much respect,
Krist
Click here for more information.
